Met
Measured, and inside the published requirement.
Audiobook and spoken word
Finality measures a narration chapter against the published ACX submission requirements, names the ones it misses in the units the spec uses, and can return a corrected chapter with every changed value reported against the number you were shown.
Three answers, not two
Measured, and inside the published requirement.
Measured, and outside it. The shortfall is named in the units the requirement uses.
The value could not be read on this file. It is never reported as met, because an unproven requirement is not a passed one.
Why this lane is different
A mix can be quiet, dense, or bright and still be exactly what you meant. Review gives you signals and you weigh them.
Streaming platforms normalise loudness. Missing a target changes how a release lands; it does not stop it going out.
A chapter outside the published numbers is returned to the narrator. That is arithmetic, and it is worth checking before upload rather than after.
What gets measured
Every requirement below is checked against the file you upload. Finality reports the measured value beside the requirement, so a result can be argued with rather than trusted.
Requirements and thresholds are read from ACX's published submission requirements page and are versioned with the date they were last verified. Finality measures against those requirements; ACX decides what it accepts.
The ACX submission requirements Finality measures
Correction
Where a chapter misses a requirement, Finality can return a corrected file on request. Level is adjusted with the noise floor accounted for. Where level alone cannot reach the RMS window, a limiter holds the loudest peaks, and the change list says by how much. Room tone at either end is extended from the same recording's own silence or trimmed back into range. The rendered file is then measured again through the same analysis that judged the source, so the result describes the file you receive rather than the plan that produced it.
The original stays your primary download. A corrected chapter is an additional file you asked for.
Room tone is extended from your own recording's silence, or not at all. No synthesised audio enters your submission.
A limiter is used only when turning a chapter up would push its peaks past ACX's limit. It never pulls a moment down by more than 6 dB. If it would lift the noise floor past ACX's limit, the copy is made without it and you are told why.
A corrected file carries no quality or acceptance claim. The decision to submit stays yours and is recorded as yours.
Chapter sets
A title is judged as a set, not only as files. Finality compares channel count, sample rate, and chapter-to-chapter level across a book and names the odd one out, because a set where every individual chapter meets the spec can still be inconsistent enough to be rejected as a submission.
A chapter with no measured result is reported as unjudged rather than quietly dropped from the set.
Upload a chapter and see it measured against the published ACX requirements before you submit it.
Free to start. 60 minutes of review a month.
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