Met
Measured, and inside the published requirement.
Podcasts and spoken word
Finality measures a podcast episode against Apple Podcasts' published loudness and true-peak targets, shows how far it is from them and whether the peaks leave room to get there, lists the long pauses and plosives worth a listen with timestamps, and can return a level-corrected episode.
Three answers, not two
Measured, and inside the published requirement.
Measured, and outside it. The shortfall is named in the units the requirement uses.
The value could not be read on this file. It is never reported as met, because an unproven requirement is not a passed one.
Why spoken word is reviewed differently
Music review looks for resonances to cut. In speech, the low note is the host's voice. Finality reviews a podcast as speech, so it does not tell you to EQ a voice out of your own episode.
Apple publishes -16 LKFS, give or take 1 dB, and a true peak no higher than -1 dBFS, as recommendations. Missing them does not stop an episode going out. Apple recommends them so that a player does not have to adjust your episode's volume.
A quiet episode with high peaks cannot simply be turned up: the peak ceiling runs out first. Finality works out how much gain the ceiling allows and says how far short of the target that leaves you.
What gets measured
Loudness and true peak are checked against Apple Podcasts' published figures, with the measured value beside each target. Around them, Finality reviews what a host hears on a second listen: how long the pauses run, where the hard p and b sounds land, and how much noise sits under the voice.
The targets are taken from Apple's published audio requirements. They are recommendations, so Finality reports each as met or not met without treating a miss as a failure.
Apple Podcasts' published targets
Also reviewed in an episode
Correction
Where an episode is outside the loudness or true-peak target, Finality can return a corrected file on request. Level is moved toward -16 LUFS with the true peak held under -1 dBTP. The rendered file is then measured again through the same analysis that judged the source, so the result describes the file you receive rather than the plan that produced it.
The original stays your primary download. A corrected episode is an additional file you asked for.
No EQ, no noise reduction, no editing. The correction changes one thing, the level, and reports the before and after.
Where an episode cannot reach -16 by gain alone because its peaks are too high, Finality reports the shortfall and stops rather than compressing the read.
A corrected file meets the published figures. It carries no claim about how any platform or listener will treat it, and the decision to publish stays yours.
Scope
Upload a finished episode and choose Podcast. Finality reads it as speech from the first second, so nothing in the review is written for a song.
Reading an audiobook instead? Submission specs work differently. See the ACX lane
Not sure what to aim for? Read the podcast loudness guide
Upload an episode and see it measured against Apple Podcasts' published targets before you publish it.
Free to start. 60 minutes of review a month.
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